Adding The b3 Blue Note & Chromaticism To The Dominant 7 Arpeggio.

Adding The b3 Blue Note & Chromaticism To The Dominant 7 Arpeggio.

Adding blue notes and chromatic lines to arpeggios is a great way to jazz up your improvisation.
In last weeks blog we covered the G7 arpeggio (root position fingering). This week we’ll add the b3 blue note and chromatic passing notes to the arpeggio.

The below video shows how this works. Have fun discovering new colors and textures for soloing. 🙂

I know I’m going over this fairly quickly in the videos.
I cover all this in greater detail in guitar lessons with my students.
Contact me anytime if you would like to have a lesson in my teaching studio or through Skype. Learning from videos is fun, but there is nothing like getting an in person private lesson. That’s where the real progress and growth lies.

Conclusion

Hit me up in the comments section below to keep me informed on how it’s going.
If you like this blog: give it a rating and feel free to also give me any feedback.
I believe everything can always be improved. I’d gladly implement your suggestions and ideas in this blog or the next.

Be on the look out for more blogs about everything guitar, music, songwriting and music education.



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