2nd Inversion G7 Arpeggio With b3 Blue Note and Chromaticism.
A couple of weeks ago, we covered the root position and 1st inversion G7 arpeggio fingerings.
Today we’ll cover the 2nd inversion G7, C7 and D7 apreggio fingerings.
Following videos cover how to play this fingering, where the b3 blue notes are, how to add chromaticism, and how to apply all this to blues soloing.
Keep me informed on your progress. You can hit me up in the comments section below.
If you like this blog: give it a rating and feel free to also give me any feedback.
I believe everything can always be improved. I’d gladly implement your suggestions and ideas in this blog or the next.
Be on the look out for more blogs about everything guitar, music, songwriting and music education.