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The Harmonic Tensions

Some Quick Basic Chord Theory. As we discussed in previous blogs, chords are built stacking 3rd intervals. A 3rd interval is a 3-letter distance. From C to E is a 3rd (CDE = 123), from E to G is a 3rd (EFG). These 3 notes (C E G) combined form a C chord. This is The Harmonic Tensions

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How to Solo on Guitar Over Modal Interchange Chords

Improvisation over Modal Interchange chords. This blog is a continuation of last week’s blog on the modal interchange. Check that blog here if you need a review on modal interchange chords: Modal Interchange Chords in Major Keys. This week I wanted to talk about the scales of choice for improvisation over modal interchange chords. In How to Solo on Guitar Over Modal Interchange Chords

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Modal Interchange Chords in Major

Beef Up Your Chord Progressions With Modal Interchange Chords “Modal Interchange” is a harmonic technique in which you borrow chords from parallel scales. This allows you to add new harmonic colors in addition to the 7 chords of the key you are writing in. Parallel scales are scales that start on the same root. Examples: Modal Interchange Chords in Major

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Fun With Secondary Dominants

The Theory of Secondary Dominants The 5th chord in a scale always wants to resolve to the first chord in a scale. For example: ||: C | Am | Dm | G7 :|| C || 7th chords (as in: “G7) are also called “dominant chords”. V7 in the scale is called “the dominant chord) because Fun With Secondary Dominants

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Speed On Guitar Is The Byproduct of Accuracy

Speed On Guitar Is The Byproduct of Accuracy As many of you know, Guthrie Govan is one of my top 10 all-time favorite guitar players. Guthrie published 2 books, which you can find here: And apparently, which just found out why doing this research, Guthrie also published a volume 3 (Recording Effects), which you can Speed On Guitar Is The Byproduct of Accuracy

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