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The Minor Triads on The Bass Strings

Minor Triads In C on Strings 345 and 456 This is a continuation from following free lesson blogs: Major Triads in C on strings 123 Major Triads in C on Strings 234. Major Triads On The Bass Strings. For the new shapes we are covering today, you are basically using the shapes as covered in The Minor Triads on The Bass Strings

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Learn the Major Triads On The Bass Strings

Major Triads In C on Strings 345 and 456 This is a continuation from following free lesson blogs Major Triads in C on strings 123 and Major Triads in C on Strings 234. Here are the C, F and G triads on the bass strings. C Triads Learn the C chords first on the A, Learn the Major Triads On The Bass Strings

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Rhythm Exercises With Mutes

Rhythm Exercises With Mutes. I’ve written a lot of blogs lately on chords and scales, but have been neglecting rhythm a bit. So here it goes! First off: some music notation clarification. Slashes represent chords. You get a chord sound when you gently “squeeze” the strings against the frets. X’s represent mutes. Mutes sound percussive Rhythm Exercises With Mutes

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Practice In Expert Performance

A Study of Expert Practice I wanted to do something a little different today. In today’s blog, I’m sharing an excerpt from a study one of my students shared with me a couple of years ago. That student felt compelled to share this study with me because of the enthusiasm that grew in him while Practice In Expert Performance

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The In Position m7b5 Arpeggio

The In Position m7b5 Arpeggio We’ll be covering all 4 fingerings of the Bm7b5 arpeggio today When you stack another 3rd on top of a dim triad in a major scale, you get an m7b5 chord. Bm7b5 is chord VII in the key of C. The 7th scale degree in a major scale is an The In Position m7b5 Arpeggio

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