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The b5 Blue Note And Other Fun Soloing Tricks

b5 Blue Note And Other Fun Soloing Tricks. Students sometimes ask me if there is anything they can do to spice up their minor pentatonic solos. There sure is, and we’ll discuss some tricks and techniques in today’s blog. I’ll show you a couple of notes you can add to your pentatonic scale. It’s simple The b5 Blue Note And Other Fun Soloing Tricks

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How To Sing and Play Rhythm Simultaneously

How To Sing and Play Rhythm Simultaneously Every once in a while I have a student who contacts me for lessons because they have a hard time singing and playing rhythm simultaneously. I wanted to cover some quick tips in today’s blog to help you get better at this. Memorize the lyrics. There is only How To Sing and Play Rhythm Simultaneously

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Improvising Over II V I With The Arpeggio Fingerings

Improvising Over II V I With The Arpeggio Fingerings II V I, as you may or may not know, is THE most heavily used chord progression in jazz. If you can improvise really well over this progression, you are a huge step closer to becoming really good at jazz improvisation. A great exercise to get Improvising Over II V I With The Arpeggio Fingerings

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The maj7 Arpeggio 2nd and 3rd Inversion Fingerings

The maj7 Arpeggio 2nd and 3rd Inversion Fingerings. Before we get into these fingerings, make sure that you check last week’s blogs first to learn more about the maj7 chord. The maj7 Root Position Arpeggio Fingering. and The maj7 1st Inversion Arpeggio. The first of the above 2 links, also shows how to practice these The maj7 Arpeggio 2nd and 3rd Inversion Fingerings

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The maj7 Arpeggio 1st Inversion Fingering

The maj7 Arpeggio 1st Inversion Fingering Before we get into this fingering, make sure that you check last week’s blog first to learn more about the maj7 chord. The maj7 Root Position Arpeggio Fingering. Last week’s blog also talks about how to practice these arpeggios, covering practice chord progressions that you will also use to The maj7 Arpeggio 1st Inversion Fingering

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