vreny

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3-Note Pattern Ear Training

Ear Training: Practicing Singing Every Possible 3-Note Interval Combination. This blog is a continuation of last week’s blog on ear training. You can find last week’s blog here: Relative Pitch Ear Training: The Most Important Thing To Work On. Only if you can do everything from last week’s blog up to level, are you ready 3-Note Pattern Ear Training

Relative Pitch Ear Training: The Most Important Thing To Work On.

Practice Your Ability to Recognize Intervallic Relationships by Ear. I’ve written numerous blogs on the importance of practicing your ear. The huge advantages that come with having a trained ear, are often underestimated. Everything becomes easier when you have a good ear: You learn new songs much more quickly and easily. Memorizing songs becomes a Relative Pitch Ear Training: The Most Important Thing To Work On.

The Power of Visualization & Autosuggestion

Living A More Effortless Life. It has been said that everything in life is mental. Your thoughts, for example, affect your energy levels and your decision-making (choices), which in turn affect the level of your success. If your thoughts are predominantly negative, you will feel more tired or burned out. Becoming successful at anything requires The Power of Visualization & Autosuggestion

Single String Soloing: The Best Way To Learn New Scales

The Best Way To Learn New Scales: 1 String At A Time! Single string soloing is one of the really important chapters in the ZOTZinMusic guitar teaching curriculum. Even guitar students who have been playing many years and who consider themselves “advanced”, admit to getting great benefits and results out of the single-string exercises I Single String Soloing: The Best Way To Learn New Scales

Chord Progressions In Modes.

How Can You Play Rhythm Guitar In A Certain Mode? I get this question every once in a while from upper intermediate guitar students who are trying to figure out how to write or jam in modes. What they are really asking is: “How do you figure out what chords to play in a mode”. Chord Progressions In Modes.

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